1988 First performance of the composition Zusammenklang II on the occasion of the Donaueschinger Musiktage
1991 Fist performance of the composition rivolto on the occasion of the Wittener Tage für Neue Kammermusik
1992 First performance of Dreiklang III for grand orchestra on the occasion of the Donaueschinger Musiktage
1997 First performance of the scenic chamber music Approximation at the Musikakademie Rheinsberg
1997 Performance of the composition Abendklänge in Hartford (Connecticut/USA)
2000 First performance of the oratorio Lilith for soprano, baritone, 2 solo dancers, 3 speakers, 10 instruments and electro-acoustic samples in the Neues Schlosstheater at the Musikakademie Rheinsberg
2001 First performance of Klangbeschreibung eines Psalms Nr. I for solo organ on the occasion of the 50st Nürnberger Orgelwoche
2003 First performance of Albedo VI for sheng (chin. mouth organ) and chamber ensemble on the occasion of the Dresdner Tage für zeitgenössische Musik
1991 Fist performance of the composition rivolto on the occasion of the Wittener Tage für Neue Kammermusik
1992 First performance of Dreiklang III for grand orchestra on the occasion of the Donaueschinger Musiktage
1997 First performance of the scenic chamber music Approximation at the Musikakademie Rheinsberg
1997 Performance of the composition Abendklänge in Hartford (Connecticut/USA)
2000 First performance of the oratorio Lilith for soprano, baritone, 2 solo dancers, 3 speakers, 10 instruments and electro-acoustic samples in the Neues Schlosstheater at the Musikakademie Rheinsberg
2001 First performance of Klangbeschreibung eines Psalms Nr. I for solo organ on the occasion of the 50st Nürnberger Orgelwoche
2003 First performance of Albedo VI for sheng (chin. mouth organ) and chamber ensemble on the occasion of the Dresdner Tage für zeitgenössische Musik